Elizabeth Holmes Doc's Explosive Week 2 Shatters A24 Box Office Record

Published Oct 24, 2026, 11:15 AM EDT Brennan Klein (he/him) is a senior news writer at Screen Rant, host of the Attack of the Queerwolf podcast, and contributor at Alternate Ending and Horror Press. He has been writing and podcasting about pop culture (especially horror movies) for over a decade at platforms including Blumhouse, Fangoria, Dread Central, The Backlot, and Arrow in the Head. You Can See Everything has irresistibly attracted crowds of onlookers. The new A24 documentary, which was co-directed by Nathan Fielder (The Rehearsal) and Lance Oppenheim (Ren Faire, Primetime), follows the filmmakers spending time with Theranos founder Elizabeth Holmes and her partner in the month leading up to her prison sentence. 2026's You Can See Everything had a tremendous domestic opening weekend, earning $15.6 million in just 855 theaters and making a surprise debut at No. 2 behind Street Fighter. During its sophomore weekend, A24 added it to 1,800 domestic theaters, running it on 2,655 screens. Per Deadline, as of Saturday morning, You Can See Everything is projected to earn a 3-day total of $19 to $20 million at the domestic box office by the end of its sophomore weekend. This sees its week-on-week total rising a minimum of 21.8%, a number that easily breaks the record for the best week 2 performance of any A24 movie that opened in wide release on more than 600 screens. In fact, if these numbers hold, the movie will debut between No. 65 and No. 52 on Box Office Mojo's chart of the smallest second weekend drops in history for movies that opened wide in 600+ theaters. It is important to note that A24 often opens their movies in limited release before a wide expansion, so they have plenty of movies that naturally had bigger week 2 rises than You Can See Everything, including 2025's Marty Supreme, which went from 6 to 2,668 theaters and accordingly shot up 1,730.3%. However, while the disturbing documentary received an influx of theaters this weekend, it was already widely available when it debuted, so it is on a more even playing field with the other titles on the chart. It actually has something of a handicap, because it had a higher debut than any of them thanks to a strong per-screen average during its debut weekend, meaning the percentage that it could rise week over week was more limited thanks to the fact that it had a more substantial starting point. Below, see a breakdown of A24's five best week 2 drops in history (which are the only five titles on the all-time Top 1000), where they will rank on the chart following the sophomore weekend of You Can See Everything, and how much they earned at the domestic box office by the end of their runs: Rank Title Domestic Debut (Theaters) Week 2 (Theaters) Domestic Total #65-52 You Can See Everything (2026) $15.6 million (855) +21.8% to +28.2% (+1,800) TBD #155 Babygirl (2024) $4.5 million (2,115) -0.5% (+54) $28.2 million #181 The Iron Claw (2023) $4.9 million (2,774) -4.5% (+20) $35.1 million #313 Eternity (2025) $3.2 million (1,348) -14.2% (+1,038) $16.2 million #582 Minari (2021) $193,460 (786) -23.7% (+0) $3.1 million You Can See Everything reviews have been glowing, earning it superb scores on Rotten Tomatoes, namely a Certified Fresh 98% from critics and a Verified Hot 97% from audiences. The closest that any other movie on the chart has gotten is probably the 89% and 94% earned by The Iron Claw. Should this indicate that the Elizabeth Holmes documentary will have a similar trajectory to that movie, it could be on track to earn more than $110 million in North America by the end of its run. Choose the movie with the higher Rotten Tomatoes score. If You Can See Everything is able to clear the $100 million milestone (it's already approaching $50 million with a cumulative domestic gross of roughly $45 million) by that margin, it will land on the all-time Top 10 chart of the highest-grossing non-concert documentaries (not adjusted for inflation) at No. 8, beating 2009's Earth ($109 million). However, it's already a success by any metric, considering the fact that its reported $7 million budget means that it probably only needed to earn $17.5 million or less in order to turn a profit. Enjoy ScreenRant's box office coverage? Click below to sign up for my weekly box office newsletter (make sure to check "Box Office" in your preferences) and get exclusive analysis, predictions, and more: Sign Up Release Date October 16, 2026 Runtime 174 minutes Director Nathan Fielder, Lance Oppenheim Producers Tatiana Bears, Maggie Ambrose, Jack Davis, Nathan Fielder, Lance Oppenheim Cast