Published Oct 19, 2026, 4:47 PM EDT In over three years at Collider, senior author Jake has now penned over 3000 articles covering a wide range of TV and film for the resources, lists, utilities, news, and interview teams. Alongside interviewing stars such as Selin Hizli, Rose Ayling-Ellis, Harlan Coben, and Chelsea Peretti, Jake was lucky enough to visit the set of Aardman and Netflix's Wallace and Gromit: A Vengeance Most Fowl in 2024, getting the chance to chat with four-time Academy Award winner Nick Park and Merlin Crossingham. Jake has also worked for other publications, including Agents of Fandom. You can also hear Jake every week as the resident film and TV journalist on Track Radio. Starring Charlie Heaton (Stranger Things), Mackenzie Davis (The Martian), Ruby Stokes (Rocks), and Verity's Josh Hartnett, the six-episode miniseries Below has now maintained its status as the most-watched show on Netflix in the U.S. for 10 days. Written and created by The Umbrella Academy's Jesse McKeown, the series earned 17 million views between its October 8 debut and October 11, becoming the most-viewed debut ever for a Netflix Canadian title. But Below is far from the only series on the streamer worth your attention. Here's a look at three shows you should binge on Netflix this week. For more recommendations, check out our list of the best shows and movies on Netflix. Disclaimer: These titles are available on US Netflix. 1 'Castle Rock' (2018–2019) Rotten Tomatoes: 88% | IMDb: 7.5/10 One of the most-watched shows on streaming right now is Mike Flanagan's fresh new adaptation of Carrie, the Stephen King classic. If you are one of the millions to feast on Flanagan's latest King adaptation, don't miss out on a brilliantly indulgent celebration of the acclaimed author's catalog on Netflix this week. Castle Rock, adapted from the famous fictional Maine town from King's work, is a supernatural series that explores the breadth of the bestseller's work, picking out the best bits and using them to tell a brand-new, haunting story. From André Holland to Jane Levy, Melanie Lynskey to Pennywise himself, Bill Skarsgård, this bold, detailed Primetime Emmy-nominated series isn't just a treat for die-hard King lovers, with even the most casual of horror fans sure to get the perfect Halloween fright. Collider Exclusive · 8 Questions · 2 Minutes What Is Your Biggest Horror Nightmare? Elm Street · Chucky · Scream · The Conjuring Four horror franchises. Four completely different ways of scaring you. One waits until you fall asleep. One makes sure nobody believes you. One is already in your group of friends. And one is in the house with your family. Answer eight quick questions about how you actually watch horror, and find out which nightmare was built for you. 😴Elm Street(Freddy Krueger) 🧸Chucky(Child's Play) 📞Scream(Ghostface) 🕯️The Conjuring(The Warren Files) FIND YOUR NIGHTMARE → 01 Which horror scene makes you cover your eyes? Four classic images. One of them is worse than the others for you. ASomebody falling asleep when they really should not. BA toy that has moved, and nobody touched it. CA phone ringing in an empty house. DA child talking to somebody who is not there. NEXT QUESTION → 02 You are home alone and you hear a noise. First thought? Everybody has one. It arrives before you have decided anything. AI am exhausted and my mind is playing tricks on me. BSomething in this room is not where I left it. CSomebody is in here with me. DThis house has never felt entirely right. NEXT QUESTION → 03 Which horror movie rule would you break first? Everybody thinks they would survive. Almost nobody actually does. ANever fall asleep. BNever leave it out of your sight. CNever answer the phone. DNever go down to the basement. NEXT QUESTION → 04 Something genuinely frightening happens. What do you do? Not in a film. In your actual living room, tonight. AConvince myself I imagined the whole thing. BTell someone, and brace for them not believing me. CWork out which person I know could be behind it. DGet everybody in the house into one room. NEXT QUESTION → 05 How do you actually watch a horror film? Be honest about this one. Nobody is checking. AFine during. Wide awake at two in the morning. BShouting at the screen that nobody is listening. CCalling the twist out loud before it lands. DThrough my fingers, holding on to something. NEXT QUESTION → 06 Somebody offers you serious money. Which do you still refuse? The amount does not matter. There is one on this list you are not doing. AFall asleep in a room I have never been in before. BKeep an old doll on the shelf facing my bed. CAnswer every unknown number that calls after midnight. DSpend one night alone in a house with a history. NEXT QUESTION → 07 Which feeling stays with you a week after the film? Good horror does not stop when the credits do. ANot wanting to turn the bedroom light off. BNot trusting one particular object in my house. CLooking twice at people I have known for years. DFeeling like something came home with me. NEXT QUESTION → 08 Something wakes you at 3am. What is the worst possibility? Eight questions in, this is the one that decides your nightmare. AThat I am still asleep, and it knows it. BThat the thing nobody believed me about is here. CThat somebody with a key is downstairs. DThat something is in the doorway, watching us sleep. REVEAL MY NIGHTMARE → The Lights Just Went Out Your Nightmare Is…Four franchises, four completely different ways of getting underneath your skin. This is the one built out of your particular fear, why it works so well on you, and what it would leave behind. Elm StreetYour nightmare does not wait outside the door. It waits for you to close your eyes, which you are going to have to do eventually, because nobody has ever won that particular argument. Freddy is horror's cruellest idea: a threat that lives in the one place you cannot guard, cannot lock, and cannot avoid forever. You are the one who is fine during the film and wide awake at two in the morning. Your own head is where this does its damage. These films understood exhaustion as a horror engine. The kids on Elm Street do not lose because they are weak. They lose because they are tired. You can lock every door in the house. You still have to sleep. ChuckyYour nightmare is not really the doll. It is the face of the person you tell, and the way they decide, very kindly, that you have imagined all of it. Chucky works precisely because he is absurd. That is the trap: the more accurately you describe him, the less anybody is going to believe you. You are the one shouting at the screen because the characters are not listening. You know that feeling from real life too. The franchise is at its best when the adults in the room are the real obstacle, and you have met those adults. By the time somebody finally believes you, you will have handled most of it on your own. ScreamYour nightmare has your number, knows your name, and has almost certainly been inside your house before. The worst part is that you already know them. Scream is the only one of these where the killer takes the mask off and turns out to be somebody who was at the party. You are the person who calls the twist out loud before it lands. You watch people the same way you watch films. The franchise made the rules of horror part of the plot, which means the survivors are the ones paying attention. You would be paying attention. Everybody is a suspect, including the person who just offered to walk you home. The ConjuringYour nightmare is not really about you. It is about the people asleep down the hall, and the feeling that whatever is here is not interested in leaving. The Conjuring films are domestic horror. The house, the family, the perfectly ordinary room that quietly stops feeling ordinary. Your instinct is to get everybody into one room. Your fear is protective rather than personal, which is rarer than it sounds. This is the one franchise where belief is the weapon. The people who come through it are the ones who are not alone and refuse to be. Whatever is here did not come for you. It came for the household, and you are the one standing in the hallway. ↻ RETAKE THE QUIZ 2 'Designated Survivor' (2016–2019) Rotten Tomatoes: 71% | IMDb: 7.4/10 All eyes this past weekend were on the return of one of Netflix's best shows. The Emmy-nominated Keri Russell has returned as Kate Wyler in the fourth season of The Diplomat, which is already receiving a near-perfect reception from critics as it builds on the 10-time Emmy-nominated first three seasons. If you've already binged Season 4 of The Diplomat, here's the perfect replacement series. Designated Survivor, a political drama that initially aired on ABC before moving to Netflix for its final season, follows Kiefer Sutherland's low-level Cabinet member Tom Kirkman, who is unexpectedly promoted to the role of President of the United States after tragedy strikes and takes the lives of most of the higher-ups in government. For lovers of The Diplomat, The West Wing, or House of Cards, this is the perfect next binge-watch for you. 3 'The Audacity' (2026) Rotten Tomatoes: 75% | IMDb: 6.4/10 One of the real underrated gems of 2026 so far is currently available to binge on Netflix. Created by Jonathan Glatzer of Succession and Bad Sisters fame, AMC's The Audacity follows Billy Magnussen's tech CEO Duncan Park, who is collapsing under the weight of his public image and the responsibility of his high-powered existence. When the walls begin to crumble, will Duncan survive? "The Audacity isn't perfect, but the effort Magnussen gives nearly is," wrote Collider's Shawn Van Horn in his review, which was just one of several positive reactions from critics to this clever, timely series. Also starring Sarah Goldberg, Rob Corddry, Lucy Punch, and Zach Galifianakis, The Audacity has all the potential for a perfect second season after a promising first, with the series renewed earlier this year. Release Date April 12, 2026 Network AMC Showrunner Jonathan Glatzer Cast Directors Alexander Buono, Daniel Gray Longino, Daniel Sackheim, Lucy Forbes Creator(s) Jonathan Glatzer
3 Elite Series to Binge on Netflix This Week (Oct 19-23)
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